DJ for The Blues Alley Show
OCEAN SHORES, Washington, United States
I started collecting music in 1962, at the age of 10. In 1973 I went to work at Budget Tapes and Records in Burien , Wa. I started as a clerk, in 6 months I was promoted to Mgr. In 1975 I became a multiple location mgr. In 1977 I became the Western Region Operations Manager over seeing 100+ stores in 10 states for the corporate office. In 1978 I added Blues buyer to my duties.
In 1983 I left the Record business and began a 12 year run in the HiFi store management... Read More
Latest Album Reviews
Review of Live in Paris
Album Info: Live in Paris
Yacine Malek Double Trio Album: Live in Paris Label: Sony Genre(s): Contemporary Jazz Posted By: Joe Ross
Oct 8, 2024
Review
The six tracks on Yacine Malek Double Trio’s Live in Paris each span from 6-8 minutes in length. A masterful pianist with an ability to capture many moods, Yacine Malek knows how to draw transcendent beauty from each selection. The relaxed opening track, “Like Brazil” is an expressive statement for the pianist. As the set progresses, cuts like “Tallal” and “Kazil” show how cohesively well the trio functions with conversational musical interplay between the pianist, bassist Linley Marthe and drummer Karim Ziad. Some frenetic or repetitive phrasings occur, but the instrumentalist always land together with coherent focus.
Tracks 4-6 feature drummer Jeff Ludovicus. “Kheratta” seems an adventurous journey that balances self-indulgence with self-awareness. One of my favored tracks on Live in Paris, “Orientalina” presents a
Ollee Owens Album: Nowhere To Hide Label: Self-Release Genre(s): Soul Blues Posted By: Duane Verh
Oct 6, 2024
Review
Ollie Owens’ current offering will take its place alongside the best of this year’s soul/blues releases. The Calgary-based vocalist displays a firm grip on old-school sensibilities with highly charged, convincing delivery on a string of infectious co-writes and a phenomenal set closing reading of Bob Dylan’s “Lord Protect My Child”. Before that are found standouts including the just-beneath-the-boiling-point leadoff track, “Nowhere To Hide”, a sassy shuffle- “Solid Ground and a cordial ballad-rocker, “Love You Better”. Don’t miss it.
Fernando Perdomo + Matt Tecu Album: Art Label: Think Like A Key Music Genre(s): Fusion Posted By: Robert Silverstein
Sep 28, 2024
Review
The 2024 CD release of Art is a splendid introduction to the combined talents of guitarist / composer Fernando Perdomo and percussionist Matt Tecu. The 14-track, 51-minute album makes for a relaxed instrumental jam of sorts that is less concerned with tangible songs than it is with creating a sublime mood and ambience envisioned by these two gifted musicians.
Adept on all manners of guitars and keyboards, Fernando has been on a roll these past five years, creating and/or enhancing one great collection of music after another. Being all-instrumental in nature, Art borrows from new forms of progressive rock, New Age-based fusion, surf-style guitar sounds and ambient jazz.
Art may be atmospheric but it’s never mind-numbing or short on intelligent musical ideas. The tracks seem to flow with a keen musical perception. It’s difficult to single out one track as the sounds seem
Randy Lee Riviere Album: Concrete Blues Label: New Wilderness Genre(s): Blues Rock Posted By: Duane Verh
Sep 22, 2024
Review
Conspicuously literate blues-rock, laced at times with traces of psychedelia, makes for a consistently engaging set from Randy Lee Riviere. Compelling lyric sets and the Montana-based singer/songwriter’s particularly solitary vocal persona mesh well atop virile rock backup dosed with plenty of satisfying guitar work. Standouts include “Mania”, “Change Is Strange” and “Thanksgiving”.
India Ramey Album: Baptized by the Blaze Label: Mule Kick Genre(s): Americana Country Posted By: Robert Silverstein
Sep 18, 2024
Review
Modern day country-rock at its finest, Baptized By The Blaze is the 5th solo album by Georgia-born, Alabama-raised and Nashville-based singer-songwriter India Ramey. Featuring a skilled band, highlighted by the interweaving country-twang of lead guitarist James Mitchell and pedal steel player Scotty Sanders, Baptized By The Blaze kicks off with the solid sound of “Ain’t My First Rodeo”, yet it’s track two, the title track, where the album delivers its most powerful and commanding moment.
Although the 11-track album clocks in at just over a half-hour, the all-original set pulsates with raw energy and satisfies on all fronts. As has been pointed out in reviews from music experts, not only reviewers of country & western but also of underrated lead singers, Baptized By The Blaze benefits from the expert production by Luke Wooten.
For a life-size
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